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Guardian, Queen, Interview

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À¢Ã¢ò¾¡É¢Â¡Å¢ý ¸¡÷ÊÂý (Guardian) Àò¾¢Ã¢¨¸ ¾ý þ¨½Âò¾Çò¾¢§Ä ®Ã¡ì §À¡Ã¢É¡§Ä À¡¾¢ì¸ôÀð¼ ±øÄ¡ôÀì¸ò¾¡Õì̦ÁÉ ´Õ ¿¢¨É×ôÀì¸ò¨¾ ²üÀÎò¾¢Â¢Õ츢ýÈÐ. ®Ã¡ìÁ£¾¡É §À¡÷ ¦¾¡¼í¸¢ÂÀ¢ýÉ¡§Ä, ¸¡÷ʨÉÔõ ¾¢ þñÊô¦Àñ¼ñð¨¼Ôõ (The Independent) ¦¾¡¼÷óÐ Å¡º¢ì¸ò¦¾¡¼í¸¢Â¢Õ츢ý§Èý. 1983 þ§Ä þÄí¨¸ þÉì¸ÄÅÃõ ¦¾¡¼÷À¡¸§Å Ó¾ýӾĢ§Ä Á¡¾òÐìÌ ´Õ ¸ð¼¡¸ ÅÕõ ¸¡÷Ê嬃 ±ØòÐìÜðÊ, Ó측øÅ¡º¢ Å¢Çí¸¢Ôõ Å¢Çí¸¡ÁÖõ Å¡º¢ì¸ò¦¾¡¼í¸¢§Éý. «¾ýÀ¢ýÉ¡ø, µÃ¢Õ Á¡¾í¸û «ôÀÊ ¸¼ü¸¨Ã¨Â ´ðÊ¢Õó¾ ¦À¡Ðáĸò¾¢§Ä ¸¡üÚ Å¡í¸¢ì¦¸¡ñÎ §À¡¸ §ÅñÊ Àø¸¨Äì¸Æ¸Óõ ¦¾¡¼í¸¡¾¾¡ø §Å¨Ä¢øÄ¡Áø º¡ôÀ¡ðÎìÌ ÁðÎõ Å£ðÎìÌ §À¡ö ÅóÐ ¨¸Â¢ø «¸ôÀθ¢ýȦ¾øÄ¡õ Å¡º¢òÐ즸¡ñÊÕó§¾ý. À¢ýÉ¡ø, ¸¡÷ʨÉì ¨¸Å¢ð§¼ý. (¸¡÷ÊÂÛõ þÄí¨¸î¦ºö¾¢¸¨Çì ¨¸Å¢ð¼Ðõ ¸¡Ã½õ ;-)) À¢ÈÌ þô§À¡Ð¾¡ý. ¾¢ þñÊô¦Àñ¼ñð þ¨Éì ÌÈ¢ôÀ¡¸ ¯¦Ã¡§À÷ð ·À¢Šì (Robert Fisk) þý ¸ðΨøÙ측¸ [«Åü¨Èò ¦¾¡Ì¾¢Â¡¸ zmag þÖõ ¸¡½ÓÊÔ¦ÁýȧÀ¡Ðõ, ¯¼ÉÊ¡¸ Å¡º¢ì¸ ¾¢ þñÊô¦Àñ¼ð ¯¾×¸¢ÈÐ] . þýÚ ¸¨¼º¢Â¡¸ ¦Ã¡É¢ À¢§Ç§à §ÀÃÆ¢×ì¸¡É ¬Ô¾í¸û þÕ츢ýÈÐ ±ýÚ ¦º¡ýɾý ¬¾¡Ãí¸Ç¢ý§Á§Ä Å¢º¡Ã¨½ ¿¼ò¾ì§¸ð¼Å÷¸Ç¢ý «Øò¾òÐìÌô À½¢óÐ §À¡öŢ𼿢¨Ä¢§Ä, ¨Á째ø ã÷ ¦º¡ýÉÐ Á¡¾¢Ã¢ þò¾¨ÉÔõ Weapons of Mass Destruction þø¨Ä ¬É¡ø, Weapons of Mass Distraction ±ýÀÐõ ºÃ¢§Â¡ ¦¾Ã¢¸¢ýÈÐ ;-)

¬¨ÉìÌõ «ÊºÚìÌõ: ¸¨¼º¢ ¬Éó¾Å¢¸¼É¢§Ä ̓¡¾¡ ¾ý ¸üÈÐõ ¦ÀüȾ¢Öõ "Queen ±ýÀÅÃÐ Radio Gaga" ±ýÚ ±Ø¾¢Â¢Õ츢ýÈ¡÷. þ·Ð «îÍò¾ÅÈ¢øÄ¡¾§À¡Ð, ±ØÐõ§À¡Ð º¡¾¡Ã½Á¡¸ ¿¢¸Øõ ¾Å¦Èý§È ¿¢¨É츢§Èý. ¯ñ¨Á¢§Ä Queen ±ýÀÐ ¾É¢ôÀ𼠬ǢøÄ¡Ð µ÷ þ¨ºìÌØ ÅøÄÅ¡? Queen þý Ó¾ý¨ÁôÀ¡¼¸Ã¡É Freddie Mercury (±Â¢ð…¢É¡ø þÈó¾Å÷) ´Õ À¡÷…¢. «Å÷¸Ù¨¼Â ¦À¡†¢Á¢Âý þÃô§…¡Ê (Bohemian Rhapsody) ±ÉìÌ Á¢¸×õ À¢Êò¾Á¡ÉÐ (¬í¸¢Äô ÀïºÃò¾¢É츢Úì¸¨É :-D).

¾Á¢Æ¢¨½ ¸¡½ø: þùÅ¡ñÊý ¬ÃõÀò¾¢§Ä ¦Áì…¢§¸¡Å¢ý ¦ÅÇ¢ÔÈ×òÐ¨È «¨ÁîºÃ¡¸Å¢ÕóÐ À¾Å¢ Ţĸ¢Â (þ¼Ðº¡Ã¢Â¡É þÅÕìÌõ ¸¡Š§Ã¡×ìÌõ º¢ì¸Ä¡õ ;-) Fox O' Fox!!) Jorge G. Castaneda (þ)ŠÀ¡É¢Â ¦Á¡Æ¢Â¢§Ä ±Ø¾¢ «Å÷ º§¸¡¾Ã¢ Marina Castaneda þÉ¡§Ä ¬í¸¢Äò¾¢§Ä Companero: The Life and Death of Che Guevara ±ýÚ ¦Á¡Æ¢Á¡È¢Â Òò¾¸ò¨¾ò ¾Á¢Æ¢§Ä ±Š. À¡Äîºó¾¢Ãý º¢ÈôÀ¡¸ '§ºÌÅá: Å¡ú×õ ÁýÓõ' ±É ¦Á¡Æ¢¦ÀÂ÷ò¾¢Õ츢ýÈ¡÷. Å¢ÊÂø À¾¢ôÀ¸õ ÅýÉ𨼧¡Π¦ÅǢ¢ðÊÕìÌõ áÄ¢ý Àì¸í¸û ¸¢ð¼ò¾ð¼ 815. ´Õ Á¡¾Á¡¸¢Ôõ Òò¾¸òÐì¸¡É Å¢¨Ä¨Â þýÛõ «ÛôÀÅ¢ø¨Ä ±ýÀÐ ¯ûÙį̀¾ì¸¢ÈÐ. ±ý þÂíÌ §¿ÃÓõ «ïºÄÖÅĸò ¦¾¡Æ¢üÀÎ §¿ÃÓõ ¦À¡Õó¾Å¢ø¨Ä:-( ¿¡§É¡ þÃŢɢø ¬ð¼õ À¸Ä¢É¢ü àì¸õ þо¡ý ±ó¾ý ¯Ä¸õ ±ó¾ý ¯Ä¸õ §À÷ÅÆ¢; «ïºÄÖÅĸí¸û «ôÀÊ¢ø¨Ä¡õ («Ð×õ ±ý þÕôÀ¢¼òÐìÌ «Õ§¸ þÕ츢ýÈÅû «¨ÃÁ½¢§¿Ãõ À¢ó¾¢ò¾¢ÈóÐ «¨ÃÁ½¢§¿Ãõ Óó¾¢ôâðÎõ ¬û; ²§¾¡ ¾ý ¦º¡ó¾Á¡ö ¨Åò¾¢ÕìÌõ ¦ÀðÊ츨¼ ±ýÈ ±ñ½õ «ì¸¡×ìÌ:-()

þôÀÊô ¦ÀýÉ¡õ¦Àâ ¾Á¢ú áø¸¨Ç ´Õ Àò¾¡ñθÙìÌ ÓýÉ¡§Ä ¾ó¾¢Õó¾¡ø, ¿¡Ç¡öò ¦¾¡¼÷ó¾¢ÕóÐ ÓÊò¾¢Õô§Àý [ º¢Ä §¿Ãí¸Ç¢ø(ü) º¢Ä ÁÉ¢¾÷¸û & «¨Ä µ¨º þÃñ¨¼Ôõ ~Òò¾¸¦Á¡ò¾õ ¸¡Ã½Á¢ø¨Ä, ¬É¡ø~ §ÅÚ ¸¡Ã½í¸Ù측¸ ÓÊ츧Å¢ø¨Ä ±ýÈ «ÅÄõ ¾Å¢÷òÐ]. ¬í¸¢ÄôÒò¾¸í¸û Å¡º¢ò¾§¾ ̨È×; Å¡º¢ò¾ÅüÈ¢Öõ ±ô§À¡Ð§Á º¢ýɦ¾ýÈ¡üܼò ¾¼Åø¾¡ý. ¦¾Ã¢Â¡üÈÉÁ¡¸ò à츢 Rise And Fall Of The Third Reich þ¨É 85 þ§Ä¡ 86 þ§Ä¡ ¬ÚÁ¡¾í¸û ¿¼óÐõ ¸¢¼óÐõ ¯ÕñÎõ ¦¸¡ïºõ ¦¸¡ïºÁ¡¸ì ¦¸¡ïº¢ì¦¸¡ñÊÕó§¾ý. þô§À¡Ð, þó¾á¨Äò ¦¾¡¼÷óÐ Å¡º¢ì¸ ¬¨º §ÁŢɡÖõ, ¿¡Ç¡ó¾ ¦¿Õì¸Ê þ¼õ ¾Õž¡Â¢ø¨Ä. :-( Àì¸í¸û ÓýëÚ ÅÂÐ츢Æ𼡨Á¡ö «Ãì̸¢ÈÉ. ±ýÉÅ¡É¡Öõ, ±ý WINAMP Skins ¬¸×õ ¸¢¼ìÌõ þó¾ ÁÉ¢¾¨É ÓØì¸×õ Å¡º¢ì¸¡Áø Å¢ðÎÅ¢¼ô§À¡Å¾¢ø¨Ä. ´§ÃÂÊ¡¸ò à츢§Â¡ ´§ÃÂÊ¡¸ò ¾¡ì¸¢§Â¡ ÅáР±øÄ¡ô Àì¸ì ¸ÕòÐ츨ÇÔõ §¸ðÎô À¾¢× ¦ºöÐ ¾£Å¢Ã ¯¨ÆôÀ¢§Ä ¦ÅÇ¢Â¡É ´Õ ÀñÀð¼ áÄ¡¸ò ¦¾Ã¢¸¢ýÈÐ (þÐŨà šº¢ò¾Å¨Ã¢ø). "§º" ̧Åá¨Å Áð¼Á¡¸§Å À¼¦ÁÎòÐô À¢¨ÆòÐ즸¡ñ¼ ¦†¡Ä¢×ð¨¼ô ÀüȢ ÌÈ¢ôÒ þý¦É¡Õ Ó¨È ("Don't cry for me Argentina??!!" Evita Peron þüÌõ Ernesto Guevara þüÌõ ±ýÉ ºõÀó¾¦ÁýÚ ±É즸ýÈ¡ø ¦¾Ã¢ÂÅ¢ø¨Ä. Evita À¼õ ´Õ Ìô¨À¢Öõ «Ø¸¢É Ìô¨À; Omar Sharif §º ̧Åᚸ ¿Êò¾ À¼ò¨¾ô À¡÷ì¸Å¢ø¨Ä [Jack Palance as Fidel Castro?? Jokers, gimme a break!!]; ¬É¡ø, Sean Connery ¿Êò¾ Cuba À¼õ ¦†¡Ä¢×ð¸¡Ã÷¸Ç¢ý ÍòÐÁ¡òÐìÌÆôÀÊìÌ þý¦É¡Õ ¦º¡øÄ¢ ¨Åîº «¨¼Â¡Çõ >:-E)

¬É¡ø, ±ý þý¨È ÌÈ¢ôÒ þó¾ô Òò¾¸õ ÀüȢ¾øÄ. þó¾ôÒò¾¸ò¾¢§Ä ÅÕ¦Á¡Õ ¦º¡ø ÀüÈ¢ÂÐ. Interview ±ýÈ ¬í¸¢ÄôÀ¾òÐìÌ þ¨½Â¡É ¾Á¢úôÀ¾Á¡¸, §ÀðÊ ±ýÀ¨¾ì ¨¸Å¢ð¼ ¿¡û ¦¾¡¼ì¸õ ¦ºùÅ¢ ±ýÈ À¾ò¨¾§Â ÀÂýÀÎò¾¢ ÅÕ¸¢ý§Èý. ¦ºùÅ¢ìÌì ¦¸¡øý «¸Ã¡¾¢ þôÀÊ¡¸î ¦º¡ø¸¢ÈÐ:
otl ¦ºùÅ¢: ¦ºùÅ¢: 1. time; 2. season, opportunity, occasion, juncture; 3. audience; 4. bud about to blossom; 5. mature condition; 6. newness; freshness; 7. beauty, fairness, gracefulness, elegance; 8. taste; 9. smell; 10. state, condition, appearance; 2. propriety; 12. the 14th naksatra
þÐ ÌÈ¢òÐ Ó¨ÉÅ÷ þáÁ. ¸¢ ±í§¸¡ ±Ø¾¢Â¨¾ Å¡º¢ò¾¾¡¸×õ »¡À¸õ. §¾¼ÓÊÂÅ¢ø¨Ä.

Interview ±ýÀ¾ý ãÄõ þôÀÊ¡¸ò ¾ÃôÀθ¢ÈÐ:- French entrevue, from Old French, from feminine past participle of entrevoir, to see : entre-, between (from Latin inter-. See inter-) + voir, to see (from Latin vidre. See weid- in Indo-European Roots).]
¾Á¢Æ¢§Ä §¿÷¸¡½ø, §¿÷Ó¸õ ±ýÈ À¾í¸û ÀÂýÀ¡ð椀 (À¡Å¢ôÀ¢§Ä; 䧅ƒ¢ø «øÄ ;-)) þÕ츢ýÈÉ. to see ±ýÀ¾üÌõ ¦À¡Õó¾×õÜÎõ.
¬É¡ø, Ò¨¸ÅñÊ, Ò¨¸ôÀ¼õ ±ýÀÉÅüÈ¢ý À¾í¸û ¸ÕòÐ즸ðÎô§À¡É¿¢¨ÄÔõ Ò¨¸ÂüȨ¾Ôõ ÌÈ¢ì¸ôÀÂýÀÎÅЧÀ¡Ä, §¿÷¸¡½Öõ ¬¸¢ýÈÐ ±ýÚ þó¾ áÄ¢ý µÃ£¼ò¾¢§Ä ¸ñ¼ ÀÂýÀ¡ð¼¡§Ä ͨÉò¾Ð. Interview through Phone ±ýÀ¨¾ Vediophone ¬¸ þøÄ¡¾ «ÇÅ¢§Ä ¾Á¢Æ¢§Ä ¦¾¡¨Ä§Àº¢ §¿÷¸¡½ø ±ýÀÐ ºÃ¢Â¡¸î ÍÕ¾¢Üðʾ¡¸ò ¦¾Ã¢ÂÅ¢ø¨Ä.

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